In Shades of Grey (The Elder Blood Chronicles Book 1)

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For, the time was to come, when the gaunt scarecrows of that region should have watched the lamplighter, in their idleness and hunger, so long, as to conceive the idea of improving on his method, and hauling up men by those ropes and pulleys, to flare upon the darkness of their condition. But, the time was not come yet; and every wind that blew over France shook the rags of the scarecrows in vain, for the birds, fine of song and feather, took no warning.

The wine-shop was a corner shop, better than most others in its appearance and degree, and the master of the wine-shop had stood outside it, in a yellow waistcoat and green breeches, looking on at the struggle for the lost wine.

Let them bring another. There, his eyes happening to catch the tall joker writing up his joke, he called to him across the way:. The fellow pointed to his joke with immense significance, as is often the way with his tribe.


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It missed its mark, and completely failed, as is often the way with his tribe too. Are you a subject for the mad hospital? Is there—tell me thou—is there no other place to write such words in? In his expostulation he dropped his cleaner hand perhaps accidentally, perhaps not upon the joker's heart. The joker rapped it with his own, took a nimble spring upward, and came down in a fantastic dancing attitude, with one of his stained shoes jerked off his foot into his hand, and held out.

A joker of an extremely, not to say wolfishly practical character, he looked, under those circumstances. This wine-shop keeper was a bull-necked, martial-looking man of thirty, and he should have been of a hot temperament, for, although it was a bitter day, he wore no coat, but carried one slung over his shoulder. His shirt-sleeves were rolled up, too, and his brown arms were bare to the elbows. Neither did he wear anything more on his head than his own crisply-curling short dark hair. He was a dark man altogether, with good eyes and a good bold breadth between them.

Good-humoured looking on the whole, but implacable-looking, too; evidently a man of a strong resolution and a set purpose; a man not desirable to be met, rushing down a narrow pass with a gulf on either side, for nothing would turn the man. Madame Defarge, his wife, sat in the shop behind the counter as he came in. Madame Defarge was a stout woman of about his own age, with a watchful eye that seldom seemed to look at anything, a large hand heavily ringed, a steady face, strong features, and great composure of manner. There was a character about Madame Defarge, from which one might have predicated that she did not often make mistakes against herself in any of the reckonings over which she presided.

Madame Defarge being sensitive to cold, was wrapped in fur, and had a quantity of bright shawl twined about her head, though not to the concealment of her large earrings. Her knitting was before her, but she had laid it down to pick her teeth with a toothpick. Thus engaged, with her right elbow supported by her left hand, Madame Defarge said nothing when her lord came in, but coughed just one grain of cough. This, in combination with the lifting of her darkly defined eyebrows over her toothpick by the breadth of a line, suggested to her husband that he would do well to look round the shop among the customers, for any new customer who had dropped in while he stepped over the way.

The wine-shop keeper accordingly rolled his eyes about, until they rested upon an elderly gentleman and a young lady, who were seated in a corner. Other company were there: two playing cards, two playing dominoes, three standing by the counter lengthening out a short supply of wine. But, he feigned not to notice the two strangers, and fell into discourse with the triumvirate of customers who were drinking at the counter.

When this interchange of Christian name was effected, Madame Defarge, picking her teeth with her toothpick, coughed another grain of cough, and raised her eyebrows by the breadth of another line. Is it not so, Jacques? At this second interchange of the Christian name, Madame Defarge, still using her toothpick with profound composure, coughed another grain of cough, and raised her eyebrows by the breadth of another line.

The last of the three now said his say, as he put down his empty drinking vessel and smacked his lips. So much the worse! A bitter taste it is that such poor cattle always have in their mouths, and hard lives they live, Jacques. Am I right, Jacques? This third interchange of the Christian name was completed at the moment when Madame Defarge put her toothpick by, kept her eyebrows up, and slightly rustled in her seat.

The three customers pulled off their hats to Madame Defarge, with three flourishes. She acknowledged their homage by bending her head, and giving them a quick look. Then she glanced in a casual manner round the wine-shop, took up her knitting with great apparent calmness and repose of spirit, and became absorbed in it. The chamber, furnished bachelor-fashion, that you wished to see, and were inquiring for when I stepped out, is on the fifth floor. But, now that I remember, one of you has already been there, and can show the way. Gentlemen, adieu! They paid for their wine, and left the place.

The eyes of Monsieur Defarge were studying his wife at her knitting when the elderly gentleman advanced from his corner, and begged the favour of a word. Their conference was very short, but very decided. Almost at the first word, Monsieur Defarge started and became deeply attentive. It had not lasted a minute, when he nodded and went out. The gentleman then beckoned to the young lady, and they, too, went out. Madame Defarge knitted with nimble fingers and steady eyebrows, and saw nothing. Jarvis Lorry and Miss Manette, emerging from the wine-shop thus, joined Monsieur Defarge in the doorway to which he had directed his own company just before.

It opened from a stinking little black courtyard, and was the general public entrance to a great pile of houses, inhabited by a great number of people. In the gloomy tile-paved entry to the gloomy tile-paved staircase, Monsieur Defarge bent down on one knee to the child of his old master, and put her hand to his lips. It was a gentle action, but not at all gently done; a very remarkable transformation had come over him in a few seconds. He had no good-humour in his face, nor any openness of aspect left, but had become a secret, angry, dangerous man.

Better to begin slowly. Lorry, as they began ascending the stairs. God help him, who should be with him! As he was, when I first saw him after they found me and demanded to know if I would take him, and, at my peril be discreet—as he was then, so he is now. The keeper of the wine-shop stopped to strike the wall with his hand, and mutter a tremendous curse.

No direct answer could have been half so forcible.

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Lorry's spirits grew heavier and heavier, as he and his two companions ascended higher and higher. Such a staircase, with its accessories, in the older and more crowded parts of Paris, would be bad enough now; but, at that time, it was vile indeed to unaccustomed and unhardened senses. Every little habitation within the great foul nest of one high building—that is to say, the room or rooms within every door that opened on the general staircase—left its own heap of refuse on its own landing, besides flinging other refuse from its own windows.

The uncontrollable and hopeless mass of decomposition so engendered, would have polluted the air, even if poverty and deprivation had not loaded it with their intangible impurities; the two bad sources combined made it almost insupportable. Through such an atmosphere, by a steep dark shaft of dirt and poison, the way lay.

Yielding to his own disturbance of mind, and to his young companion's agitation, which became greater every instant, Mr. Jarvis Lorry twice stopped to rest. Each of these stoppages was made at a doleful grating, by which any languishing good airs that were left uncorrupted, seemed to escape, and all spoilt and sickly vapours seemed to crawl in. Through the rusted bars, tastes, rather than glimpses, were caught of the jumbled neighbourhood; and nothing within range, nearer or lower than the summits of the two great towers of Notre-Dame, had any promise on it of healthy life or wholesome aspirations.

At last, the top of the staircase was gained, and they stopped for the third time. There was yet an upper staircase, of a steeper inclination and of contracted dimensions, to be ascended, before the garret story was reached. The keeper of the wine-shop, always going a little in advance, and always going on the side which Mr. Lorry took, as though he dreaded to be asked any question by the young lady, turned himself about here, and, carefully feeling in the pockets of the coat he carried over his shoulder, took out a key.

Because he has lived so long, locked up, that he would be frightened—rave—tear himself to pieces—die—come to I know not what harm—if his door was left open. And a beautiful world we live in, when it is possible, and when many other such things are possible, and not only possible, but done—done, see you!

Long live the Devil. Let us go on. This dialogue had been held in so very low a whisper, that not a word of it had reached the young lady's ears. But, by this time she trembled under such strong emotion, and her face expressed such deep anxiety, and, above all, such dread and terror, that Mr. Lorry felt it incumbent on him to speak a word or two of reassurance. The worst will be over in a moment; it is but passing the room-door, and the worst is over.

Then, all the good you bring to him, all the relief, all the happiness you bring to him, begin. Let our good friend here, assist you on that side. That's well, friend Defarge. Come, now. Business, business! They went up slowly and softly. The staircase was short, and they were soon at the top. There, as it had an abrupt turn in it, they came all at once in sight of three men, whose heads were bent down close together at the side of a door, and who were intently looking into the room to which the door belonged, through some chinks or holes in the wall.

On hearing footsteps close at hand, these three turned, and rose, and showed themselves to be the three of one name who had been drinking in the wine-shop. There appearing to be no other door on that floor, and the keeper of the wine-shop going straight to this one when they were left alone, Mr. Lorry asked him in a whisper, with a little anger:. Enough; you are English; that is another thing. Stay there, if you please, a little moment.

With an admonitory gesture to keep them back, he stooped, and looked in through the crevice in the wall. Soon raising his head again, he struck twice or thrice upon the door—evidently with no other object than to make a noise there. With the same intention, he drew the key across it, three or four times, before he put it clumsily into the lock, and turned it as heavily as he could.

The door slowly opened inward under his hand, and he looked into the room and said something. A faint voice answered something. Little more than a single syllable could have been spoken on either side. He looked back over his shoulder, and beckoned them to enter. Lorry got his arm securely round the daughter's waist, and held her; for he felt that she was sinking.

Rendered in a manner desperate, by her state and by the beckoning of their conductor, he drew over his neck the arm that shook upon his shoulder, lifted her a little, and hurried her into the room. He sat her down just within the door, and held her, clinging to him. Defarge drew out the key, closed the door, locked it on the inside, took out the key again, and held it in his hand. All this he did, methodically, and with as loud and harsh an accompaniment of noise as he could make. Finally, he walked across the room with a measured tread to where the window was.

He stopped there, and faced round. The garret, built to be a depository for firewood and the like, was dim and dark: for, the window of dormer shape, was in truth a door in the roof, with a little crane over it for the hoisting up of stores from the street: unglazed, and closing up the middle in two pieces, like any other door of French construction.

To exclude the cold, one half of this door was fast closed, and the other was opened but a very little way. Such a scanty portion of light was admitted through these means, that it was difficult, on first coming in, to see anything; and long habit alone could have slowly formed in any one, the ability to do any work requiring nicety in such obscurity. Yet, work of that kind was being done in the garret; for, with his back towards the door, and his face towards the window where the keeper of the wine-shop stood looking at him, a white-haired man sat on a low bench, stooping forward and very busy, making shoes.

G ood day! It was raised for a moment, and a very faint voice responded to the salutation, as if it were at a distance:. The faintness of the voice was pitiable and dreadful. It was not the faintness of physical weakness, though confinement and hard fare no doubt had their part in it. Its deplorable peculiarity was, that it was the faintness of solitude and disuse.

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It was like the last feeble echo of a sound made long and long ago. So entirely had it lost the life and resonance of the human voice, that it affected the senses like a once beautiful colour faded away into a poor weak stain. So sunken and suppressed it was, that it was like a voice underground. So expressive it was, of a hopeless and lost creature, that a famished traveller, wearied out by lonely wandering in a wilderness, would have remembered home and friends in such a tone before lying down to die.

Some minutes of silent work had passed: and the haggard eyes had looked up again: not with any interest or curiosity, but with a dull mechanical perception, beforehand, that the spot where the only visitor they were aware of had stood, was not yet empty. You can bear a little more? The shoemaker stopped his work; looked with a vacant air of listening, at the floor on one side of him; then similarly, at the floor on the other side of him; then, upward at the speaker.

The opened half-door was opened a little further, and secured at that angle for the time. A broad ray of light fell into the garret, and showed the workman with an unfinished shoe upon his lap, pausing in his labour. His few common tools and various scraps of leather were at his feet and on his bench. He had a white beard, raggedly cut, but not very long, a hollow face, and exceedingly bright eyes. The hollowness and thinness of his face would have caused them to look large, under his yet dark eyebrows and his confused white hair, though they had been really otherwise; but, they were naturally large, and looked unnaturally so.

His yellow rags of shirt lay open at the throat, and showed his body to be withered and worn. He, and his old canvas frock, and his loose stockings, and all his poor tatters of clothes, had, in a long seclusion from direct light and air, faded down to such a dull uniformity of parchment-yellow, that it would have been hard to say which was which. He had put up a hand between his eyes and the light, and the very bones of it seemed transparent. So he sat, with a steadfastly vacant gaze, pausing in his work. He never looked at the figure before him, without first looking down on this side of himself, then on that, as if he had lost the habit of associating place with sound; he never spoke, without first wandering in this manner, and forgetting to speak.

Lorry to come forward. Lorry came silently forward, leaving the daughter by the door. When he had stood, for a minute or two, by the side of Defarge, the shoemaker looked up. He showed no surprise at seeing another figure, but the unsteady fingers of one of his hands strayed to his lips as he looked at it his lips and his nails were of the same pale lead-colour , and then the hand dropped to his work, and he once more bent over the shoe.

An unspeakable crime in the heartland.

The look and the action had occupied but an instant. Show him that shoe you are working at. Take it, monsieur. It is a young lady's walking-shoe. It is in the present mode. I never saw the mode. I have had a pattern in my hand. Now that he had no work to hold, he laid the knuckles of the right hand in the hollow of the left, and then the knuckles of the left hand in the hollow of the right, and then passed a hand across his bearded chin, and so on in regular changes, without a moment's intermission.

The task of recalling him from the vagrancy into which he always sank when he had spoken, was like recalling some very weak person from a swoon, or endeavouring, in the hope of some disclosure, to stay the spirit of a fast-dying man. With a weary sound that was not a sigh, nor a groan, he bent to work again, until the silence was again broken.

Lorry, looking steadfastly at him. His haggard eyes turned to Defarge as if he would have transferred the question to him: but as no help came from that quarter, they turned back on the questioner when they had sought the ground. No, I was not a shoemaker by trade. I-I learnt it here. I taught myself.

He lapsed away, even for minutes, ringing those measured changes on his hands the whole time. His eyes came slowly back, at last, to the face from which they had wandered; when they rested on it, he started, and resumed, in the manner of a sleeper that moment awake, reverting to a subject of last night.

As he held out his hand for the shoe that had been taken from him, Mr. Lorry said, still looking steadfastly in his face:. Look at him. Look at me. Is there no old banker, no old business, no old servant, no old time, rising in your mind, Monsieur Manette? As the captive of many years sat looking fixedly, by turns, at Mr.

Lorry and at Defarge, some long obliterated marks of an actively intent intelligence in the middle of the forehead, gradually forced themselves through the black mist that had fallen on him. They were overclouded again, they were fainter, they were gone; but they had been there. And so exactly was the expression repeated on the fair young face of her who had crept along the wall to a point where she could see him, and where she now stood looking at him, with hands which at first had been only raised in frightened compassion, if not even to keep him off and shut out the sight of him, but which were now extending towards him, trembling with eagerness to lay the spectral face upon her warm young breast, and love it back to life and hope—so exactly was the expression repeated though in stronger characters on her fair young face, that it looked as though it had passed like a moving light, from him to her.

Darkness had fallen on him in its place. He looked at the two, less and less attentively, and his eyes in gloomy abstraction sought the ground and looked about him in the old way. Finally, with a deep long sigh, he took the shoe up, and resumed his work. At first I thought it quite hopeless, but I have unquestionably seen, for a single moment, the face that I once knew so well.

Let us draw further back. She had moved from the wall of the garret, very near to the bench on which he sat. There was something awful in his unconsciousness of the figure that could have put out its hand and touched him as he stooped over his labour. Not a word was spoken, not a sound was made. She stood, like a spirit, beside him, and he bent over his work. It happened, at length, that he had occasion to change the instrument in his hand, for his shoemaker's knife.

It lay on that side of him which was not the side on which she stood. He had taken it up, and was stooping to work again, when his eyes caught the skirt of her dress. He raised them, and saw her face. The two spectators started forward, but she stayed them with a motion of her hand. She had no fear of his striking at her with the knife, though they had.

He stared at her with a fearful look, and after a while his lips began to form some words, though no sound proceeded from them. By degrees, in the pauses of his quick and laboured breathing, he was heard to say:. With the tears streaming down her face, she put her two hands to her lips, and kissed them to him; then clasped them on her breast, as if she laid his ruined head there. Not yet trusting the tones of her voice, she sat down on the bench beside him.

He recoiled, but she laid her hand upon his arm. A strange thrill struck him when she did so, and visibly passed over his frame; he laid the knife down softly, as he sat staring at her. Her golden hair, which she wore in long curls, had been hurriedly pushed aside, and fell down over her neck. Advancing his hand by little and little, he took it up and looked at it. In the midst of the action he went astray, and, with another deep sigh, fell to work at his shoemaking.


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  • But not for long. Releasing his arm, she laid her hand upon his shoulder. After looking doubtfully at it, two or three times, as if to be sure that it was really there, he laid down his work, put his hand to his neck, and took off a blackened string with a scrap of folded rag attached to it. He opened this, carefully, on his knee, and it contained a very little quantity of hair: not more than one or two long golden hairs, which he had, in some old day, wound off upon his finger.

    He took her hair into his hand again, and looked closely at it. How can it be! When was it! How was it! As the concentrated expression returned to his forehead, he seemed to become conscious that it was in hers too. He turned her full to the light, and looked at her. They can never help me to escape in the body, though they may in the spirit. I remember them very well. He formed this speech with his lips many times before he could utter it. But when he did find spoken words for it, they came to him coherently, though slowly. Once more, the two spectators started, as he turned upon her with a frightful suddenness.

    His hands released her as he uttered this cry, and went up to his white hair, which they tore in a frenzy. It died out, as everything but his shoemaking did die out of him, and he refolded his little packet and tried to secure it in his breast; but he still looked at her, and gloomily shook his head. It can't be.


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    • See what the prisoner is. These are not the hands she knew, this is not the face she knew, this is not a voice she ever heard. No, no. She was—and He was—before the slow years of the North Tower—ages ago. What is your name, my gentle angel? Hailing his softened tone and manner, his daughter fell upon her knees before him, with her appealing hands upon his breast. But I cannot tell you at this time, and I cannot tell you here. All that I may tell you, here and now, is, that I pray to you to touch me and to bless me.

      Kiss me, kiss me! O my dear, my dear! His cold white head mingled with her radiant hair, which warmed and lighted it as though it were the light of Freedom shining on him. If you touch, in touching my hair, anything that recalls a beloved head that lay on your breast when you were young and free, weep for it, weep for it! If, when I hint to you of a Home that is before us, where I will be true to you with all my duty and with all my faithful service, I bring back the remembrance of a Home long desolate, while your poor heart pined away, weep for it, weep for it!

      And if, when I shall tell you of my name, and of my father who is living, and of my mother who is dead, you learn that I have to kneel to my honoured father, and implore his pardon for having never for his sake striven all day and lain awake and wept all night, because the love of my poor mother hid his torture from me, weep for it, weep for it!

      Weep for her, then, and for me! Good gentlemen, thank God! I feel his sacred tears upon my face, and his sobs strike against my heart. O, see! Thank God for us, thank God! He had sunk in her arms, and his face dropped on her breast: a sight so touching, yet so terrible in the tremendous wrong and suffering which had gone before it, that the two beholders covered their faces. When the quiet of the garret had been long undisturbed, and his heaving breast and shaken form had long yielded to the calm that must follow all storms—emblem to humanity, of the rest and silence into which the storm called Life must hush at last—they came forward to raise the father and daughter from the ground.

      He had gradually dropped to the floor, and lay there in a lethargy, worn out. She had nestled down with him, that his head might lie upon her arm; and her hair drooping over him curtained him from the light. Say, shall I hire a carriage and post-horses? You see how composed he has become, and you cannot be afraid to leave him with me now. Why should you be? If you will lock the door to secure us from interruption, I do not doubt that you will find him, when you come back, as quiet as you leave him.

      In any case, I will take care of him until you return, and then we will remove him straight. Both Mr. Lorry and Defarge were rather disinclined to this course, and in favour of one of them remaining. But, as there were not only carriage and horses to be seen to, but travelling papers; and as time pressed, for the day was drawing to an end, it came at last to their hastily dividing the business that was necessary to be done, and hurrying away to do it. Then, as the darkness closed in, the daughter laid her head down on the hard ground close at the father's side, and watched him.

      The darkness deepened and deepened, and they both lay quiet, until a light gleamed through the chinks in the wall. Lorry and Monsieur Defarge had made all ready for the journey, and had brought with them, besides travelling cloaks and wrappers, bread and meat, wine, and hot coffee. Monsieur Defarge put this provender, and the lamp he carried, on the shoemaker's bench there was nothing else in the garret but a pallet bed , and he and Mr.

      Lorry roused the captive, and assisted him to his feet. No human intelligence could have read the mysteries of his mind, in the scared blank wonder of his face. Whether he knew what had happened, whether he recollected what they had said to him, whether he knew that he was free, were questions which no sagacity could have solved. They tried speaking to him; but, he was so confused, and so very slow to answer, that they took fright at his bewilderment, and agreed for the time to tamper with him no more.

      He had a wild, lost manner of occasionally clasping his head in his hands, that had not been seen in him before; yet, he had some pleasure in the mere sound of his daughter's voice, and invariably turned to it when she spoke. In the submissive way of one long accustomed to obey under coercion, he ate and drank what they gave him to eat and drink, and put on the cloak and other wrappings, that they gave him to wear. He readily responded to his daughter's drawing her arm through his, and took—and kept—her hand in both his own.

      They began to descend; Monsieur Defarge going first with the lamp, Mr. Lorry closing the little procession. They had not traversed many steps of the long main staircase when he stopped, and stared at the roof and round at the walls. But, before she could repeat the question, he murmured an answer as if she had repeated it. That he had no recollection whatever of his having been brought from his prison to that house, was apparent to them. On their reaching the courtyard he instinctively altered his tread, as being in expectation of a drawbridge; and when there was no drawbridge, and he saw the carriage waiting in the open street, he dropped his daughter's hand and clasped his head again.

      No crowd was about the door; no people were discernible at any of the many windows; not even a chance passerby was in the street. An unnatural silence and desertion reigned there. Only one soul was to be seen, and that was Madame Defarge—who leaned against the door-post, knitting, and saw nothing.

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      The prisoner had got into a coach, and his daughter had followed him, when Mr. Lorry's feet were arrested on the step by his asking, miserably, for his shoemaking tools and the unfinished shoes. Madame Defarge immediately called to her husband that she would get them, and went, knitting, out of the lamplight, through the courtyard. She quickly brought them down and handed them in;—and immediately afterwards leaned against the door-post, knitting, and saw nothing. Under the over-swinging lamps—swinging ever brighter in the better streets, and ever dimmer in the worse—and by lighted shops, gay crowds, illuminated coffee-houses, and theatre-doors, to one of the city gates.

      Soldiers with lanterns, at the guard-house there. And so, under a short grove of feebler and feebler over-swinging lamps, out under the great grove of stars. Beneath that arch of unmoved and eternal lights; some, so remote from this little earth that the learned tell us it is doubtful whether their rays have even yet discovered it, as a point in space where anything is suffered or done: the shadows of the night were broad and black. All through the cold and restless interval, until dawn, they once more whispered in the ears of Mr.

      Jarvis Lorry—sitting opposite the buried man who had been dug out, and wondering what subtle powers were for ever lost to him, and what were capable of restoration—the old inquiry:. T ellson's Bank by Temple Bar was an old-fashioned place, even in the year one thousand seven hundred and eighty. It was very small, very dark, very ugly, very incommodious. As the truth unfolds and her reputation in the city of Sanctuary grows, so does the danger. With half of the Elder Blood houses wanting her dead and the other half wanting her help, Jala finds herself the center of more attention than she ever wanted.

      Mountain of Madness. R 83, Jon Sprunk. Master Mage. R 66, Stranded Mage. God Mage. R 49, Forgotten Mage. Silver Mage. Warded Mage. Mageborn: The Final Redemption. Michael G. R 70, Christopher Williams. R 41, Inexperienced Mage. Broken Mage. Branded Mage. The Silent Tempest. R 62, Kristian Alva. R 58, R 43, R 54, The Mountains Rise. R 53, Kathir's Redemption. Centyr Dominance. Dragon Blade. Reawakening The Passage of Hellsfire, Book 3. Marc Johnson. Blood and Steel. Martin Parece. R 16, Crystal Throne. Fire and Steel. Mageborn: The Archmage Unbound.

      Mageborn: The Line of Illeniel. R 47, Shadow Witch. Geof Johnson. R 33, Mageborn: The Blacksmith's Son. R 37, The Shadow Grid Returns. Dragon Fate. Doorways to Infinity. The Wicked Day. Christopher Bunn. If he could determine where the voice was coming from he would have a better chance of dodging the next attack. Taking a quick tally of his wounds, he realized he would need to dodge the next attack. His ribs were scored deeply and bleeding freely.

      Shade was right handed. He pushed down weight on his leg, testing the wounded knee, Not good. Dodging would be slow. He would be better off ducking than trying to move quickly. He was dirty and his clothing was tattered but he seemed unharmed. Dark circles hung heavy under his clear grey eyes but they were filled with intelligence none the less. Charm was obviously one of those rare individuals that could stay awake for days without losing their sanity. The wound was healing quickly.